The Dearly Departed
While I buy a fair amount of equipment, I am pretty careful about not getting stuff that I won't want / need / enjoy for a long time, so it tends to be rare that I part with anything I really love. That said, there are a few pieces of gear I've had over the years that for one reason or another I've parted ways with, and this page is dedicated to the stories about the ones that got away...
1975 Fender Rhodes Mark I 73
I was on a lunch break from a day job I had in downtown San Diego in 1996 or so when I visited a pawn shop that I was partial to for its wide array of musical equipment. That day they happened to have a road worn, but perfectly working and responsive Fender Rhodes for $300. I played it for an hour, fell in love, called my boss to tell her I wasn't feeling well and was going home, loaded the beast in my car, took it home, and played it for the rest of the day. When I joined King Harvest years later, our keyboard player used it extensively, and even after I left the band he kept it. I think it was in his van when it got impounded and the cost to get it out exceeded the value of the vehicle... Even though I hadn't even had it in my possession at the time (and in fact had relocated to another part of the state), I felt (and still) feel that one as a big loss.
1970's Silver Face Fender Musicmaster Bass Amp
In 1996 I moved into a run down house in the hills above downtown San Diego with six roommates. The place had been a revolving door of renters for years, maybe decades (the person that was actually on the lease was loooong gone by the time I moved in), and had been known as a haven and crash pad for various and sundry artists, freaks, and crazies. A month or so after I moved in, I happened to be clearing out some clutter from a bare dirt crawl space / cellar area and came across this amp, which none of the current roommates knew anything about and had clearly been there for a long time. I replaced the AC line with a grounded cable and was off to the races. I used that mainly as the amp for my Rhodes which I picked up right around the same time (it had a nice breakup at low volumes, and a good frequency response to handle the bottom end on the Rhodes which can get kind of flabby on the wrong amp). To be perfectly honest, I don't even remember when I lost track of this one. Great amp. Damn shame.
1993 Fender American Standard Telecaster
While nothing particularly special, this was the first real quality electric guitar I ever owned (first was a junky red Yamaha, then a decent Charvel that I played through Unbroken Chain and for the first year or so of my time with Oversoul), and began my love affair with the Telecaster. For that nostalgic reason alone, I miss this guy. But the real kicker is that it got stolen, along with a bunch of other gear, from a rehearsal space in Windansea in about 1995. It ended up serendipitous, as that's how I came to be in the market for a guitar and purchased the Ibanez Artist (which I couldn't live without), but I still miss my first Tele.
1978 Fender Stratocaster (hard tail)
I love a classic strat sound, but I never use the tremolo bar and can't stand dealing with all the tuning issues that come with it. That's why I originally gravitated to the Tele (which I bought to replace my first guitar, a Charvel strat copy that I played through Unbroken Chain and a year into Oversoul, but broke a lot of strings and always had trouble keeping in tune...). Soooo, when I discovered this vintage Hard Tail Strat, I was intrigued. All that vintage creamy strat tone and mojo (and a gorgeous and rare Sienna Burst finish), but with a tele-style string through body and fixed bridge. Super smooth lacquered maple neck with no separate fretboard. at ~7 pounds, it's also very light for a 70s strat. Original single coil pickups are noisy as hell unless you have it on just the right angle in relation to the amp - better for the studio than for playing live... It really loves the slide, and gets a great old Lowell George sound, particularly with a compressor or two (the MXR and Keeley comps both do a great job of emulating that chained LA2A sound). You can hear it on the main rhythm track of King Harvest's recording of Numb and the lead electric on my solo recording of In the Lee of the Stone. Alas, given how little this guy got played, I finally let it go a few years ago to make room for other toys...
One fall, my wife and I were returning from Tahoe to San Diego via the scenic route (highway 395). We stopped in Bishop for lunch, pulling off the highway down a back street to park. Out of the corner of my eye, I saw this organ on the sidewalk, and asked Amy if we could go back and check it out. While I wasn't (and still am not) an expert on organs, this baby had a Hammond logo, two consoles of sweet feeling waterfal keys, a couple octaves of foot pedals, a massive tube amp and built in speaker. It was in front of a thrift shop so I went in to ask the proprieter how much. She responded "Oh that? It's free, please take it -- my husband was upset that I accepted it in the first place because we don't normally take furniture..." Sooooo, I grabbed a couple guys from the shop next door and loaded into the back of my Subaru wagon (we almost had to leave some of our non-essential luggage at the thrift shop to make room) and headed back home. I got it home and it powered up but didn't play; with a little Hammond oil and a few days, if finally came to life. The "Baby B" as it's called, really delivered. The vibrato rocker switch halfway between on and off even gave a passable Leslie-ish sound... A few years later, after having had to move it a couple times already and with a big move coming up I sold it (I told the guy if he ever wanted to move it again, he'd better have some good friends). I still wish I had just sucked it up and hung on to it through the move (and all the subsequent moves...).
This 70's multi-effects unit (meaning essentially, 5 classic Ibanez stompboxes in a single rack mountable enclosure with a remote footswitch) had an original 808, a compressor, phaser, and chorus/flange. I used the crap out of that thing until it got stolen. I had the extreme good fortune of finding another one which I also used the crap out of until the odd proprietary jack for the foot pedal finally bit the dust making the whole thing useless... We had a lot of good years together, and I was very sad to see it go, and may never get used to not looking back to see that thing sitting on top of my amp.
Fender Pro 185
While not necessarily so "dear", this was the first real amp I ever had, after graduating from the little Yamaha Budokan practice amp I got with my first electric guitar. A 100 watt solid state Fender, with multiple channels and reverb. While I would later go on to discover the pure unadulturated joy of a Blackface Fender tube amp (and these 80s red knob models would later come to be known as a low point for Fender...), this one is definitely responsible for starting my love affair with Fender amps. I played through this amp with Oversoul and my first years with Oversoul as well, and even started my signature of covering the grill cloth with patterned silk from India on this guy. When I bought my Showman head around 1993 or 1994, I still used this amp as the cabinet until I found the HiWatt. I sold it to a friend who was very happy to upgrade from his Gorilla.